Showing posts with label Bridport Prize. Show all posts
Showing posts with label Bridport Prize. Show all posts

Sunday, 27 June 2010

A Writer Needs to Learn to be Alone

When I did the creative writing course at "Jakan" in Stockholm we did a field trip to Norstedts - one of Sweden's biggest publishing companies. What I remember the most is that the editor who showed us around said that in order to become a writer you need to learn to be alone.

When I was younger being alone was my natural state. (In my early teens I didn't have many friends and spent my time afternoons and evenings doing homework, reading and writing.) I was also alone when I first moved to Stockholm and when I first moved to Brighton and when I lived in Thailand and New Zealand. Durings these spells of loneliness I started or worked intensly on novels.

As I got older and more confident I made more friends, and nowadays I have to force myself to be alone. Brighton is a very sociable place and is great for sparking off your imagination. Brighton is also a great distraction.

This week I did a bit of an experiment. I made squares in my diary when I had time off and put "Lou" in the squares to remind me that this week I'm going to spend time with myself. It proved succesful.

First I had itchy fingers and wanted to text everybody in my address book and suggest beers and on the beach. Then I realised that I'm fully capable of having a beer on the beach on my own. Because it's in my own company, when I create reflection time for myself that I come up with ideas and feel creative. I love sitting on the beach or in a cafe with my notebook and write down random thoughts and allow myself to let my mind wander. Then I go home and transfer some of my thoughts to the computer, seeing if anything could make it into a short story.

The result this week:
*I worked on CLEANING IN LINGERIE - a story for the Bridport Prize
*I wrote a piece called THE ART OF MISSING ROXANNE
*I started a story about my death and loss
*I started a story about a pillow fight
*I worked on a story for the Short Fuse Edge of the Sea festival event
*I worked on a story that was called TOUCH ME LIKE YOU WOULD TOUCH HIM and renamed it. It's now called THE PARTY IS OVER.

Sometimes my scheduled writing time in the morning before I go to the library is not enough. To come up with new ideas I often need evenings and weekend to float about in. The mornings are great for getting on with things, a bit like an office job: right today I'm going to work on this story kind of thing. Whereas evenings and weekends are better for coming up with free ideas and do some wild writing. I have to remind myself not to fill every evening and every weekend with other people. I need to re-learn to be alone.*



*A lot of people who are alone watch TV or do housework. TIP: throw out the TV, ignore the dirt and be creative instead!

Sunday, 30 May 2010

Can you compete in writing?

In running it's obvious. The first person to cross the finishing line is the winner. It's neither subjective or objective. It's logic.

With writing it's a little bit different. The person who judges your work needs to feel some kind of connection, and even if she/he is trying to be objective it's about personal taste.

At the moment I'm planning to send work to the following competitions/live events:

*Are you sitting comfortably? Live Lit Event/Pyjama Party in the Basement Brighton. The topic is midsummer, and I've written a story about a guy feeling lost at Stonehenge called RELAX JOHNNY-BOY, HAVE SOME FUN. Deadline: 5th June, max 1000 words.

*Guardian Weekend Short Story Competition. I've written a story on the required summer theme about a father daughter relationship called THE HATS WE WEAR. Deadline: 18 June, max 2000 words.

*SPARKS 10, Live lit event, first Tue in July??? Open theme. Written a story called TOUCH ME LIKE YOU WOULD TOUCH HIM. Deadline: 22 June???, max 1000 words.

*Bridport Prize Open theme. I've written a story called CLEANING IN LINGERIE. Deadline: 30 June, max 5000 words. (Am also submitting a piece called HOW ENGLISH WORKS for the flash fiction competition, max 250 words.)

**Waterstones Quarterly Magazine Perfectly Formed Short Story Competition Is only open for unpublished writers, but I don't know if being published in Sweden will count, have emailed and asked, but no reply, so I'm sending them a story anyway, called LOVERS OF THE PLANET (that I originally wrote for a Short Fuse night). Deadline: 1 July, max 2000 words.

*Short Fuse Erotic Fiction Night, Live Event at Komedia 18 July. Don't know if I'm submitting anything yet ... Deadline: 9 July, max 2500 words.

*Short Fuse appearing at Edge of the Sea festival. Theme: write a story that is inspired by a song title by The Wedding Present. I picked I AM FROM FURTHER NORTH THAN YOU. Deadline: 10 July, max 2500 words.

So I actually have six stories on the go. Most of them are finished, or at least drafted. I just need some feedback so I can re-work them if necessary. (Which is almost always the case, another pair of eyes is invaluable!) I have a few regular people who kindly are helping me out, but I'm always in need of more eyes, so if one of the titles grab you let me know if you are willing to read and give feedback. I'll also announce each individual story on Facebook nearer the time. And if anyone reading this is planning to submit to above competitions/events or other places I'm happy to help you out with feedback in return.

I don't think you can compete in writing, or in any creative practise. It's so individual. Yet if you don't play you can't win ... One thing that's good with competitions is that I feel more motivated to finish a story and make it as good as I can.

Talking about competing ... Yesterday I went to Hanover Poetry Festival*, hosted by the brilliant Young Hanoverians, and at the end of the night they had a Poetry Slam (hosted by Hammer&Tongue's Rosy Carrick), that I somewhat reluctantly took part in. The poets get scored (points between 0.0 to 10.0) and are judged by quality of poetry, performance and audience reaction. If you are going to take part in slam you have to take it for what it is, and not be upset if you get low scores. It's not a valid judgment whether you're good or not - it's just what some individuals were thinking at the time. Same with written pieces ... just because you don't win a competition doesn't mean your story is bad. It could just be the judge being in a bad mood and didn't want to read a story about a woman killing her dog or whatever it is you've written. And you'll never know how close you were. That's the good thing I guess compared to say running. You'll know that you're the last person crossing the finishing line ...


*I had some cool pics, but lost my camera ... Probably when dancing in the Engine Rooms in the early hours of morning. The person who took it is probably having fun, seeing pics of people on stage making funny faces ...