RIVER LOVER/ECOSEXUAL poetry performance in Hebden Bridge

 

Saturday 28th February

6–8pm, at In a Land, Hebden Bridge

Swedish poet Louise Halvardsson, aka Lou Ice, performs her new English-language work 'River love/Ecosexual', about feeling attracted to nature and having sexual or romantic relationships with it. Lou is in love with a river, but has affairs with other bodies of water. A work about wild-swimming, passion and protecting our world.

Also appearing is Rosy Carrick, who will be reading from her new poetry collection 'I Love'; poet Toria Garbutt; and James Burt will perform his new spoken word piece, 'The Haunting of Wuthering Heights'.

Doors 6pm, Performance from 6:30pm. 

Swedish treats will be provided. Everyone is welcome to join the performers at the pub afterwards.

Short story published in "True Clown Stories"

 

Louise Halvardsson's short story Clowntown is included in the collection "True clown stories" by James Burt, published by Peakrill Press.

Also stories by Chris Parkinson and Michael Somerset Ward.

Extract from story:

Clowntown

Penny didn’t look happy when I turned up at her doorstep after dark. It wasn’t just that I was late and the food had gone cold – I’d brought a clown with me.

‘I thought you were mad before, Kitty, but now you’ve really lost it!’ Penny said as she invited us in. She wouldn’t let anyone sleep in the car, although it might have been more comfortable than her mice-infested mattress.

Read more & get your copy here.

Lou Ice and James are also performing at "Rosy Carrick's Poetry Gang Bang" (Hammer & Tongue-reunion night) at Komedia during Brighton at the Fringe, Thursday 22 May 2025.

Follow Lou on Instagram
Follow Lou on Facebook 

PINK PUNK POETRY by Lou Ice spoken word EP now out by Avzounds

 

LOU-ICE: A TESTIMONIAL

I first met Lou-Ice in Brighton a few years back and it was pretty obvious that here was a complete original, bright, bold and raw, onstage or off it. 

I set up AVzounds, my music production company, in 2023 to work with poets and spoken word performers and I very much wanted to work with Lou-Ice but wasn’t sure if she would do it. Luckily for us, she did and we collaborated on Pink Punk Poetry, AVzounds’ 2^nd album, of which I am very proud.

I wanted to emphasise Lou’s tough but vulnerable stage persona, her attitude, and the clarity and honesty of her work, so kept the music as minimal as possible so her voice would ring out loud and clear.

Lou-Ice’s poetry does not dabble in abstraction, symbolism, or surrealism, it is real. Her emotions, her physicality and sexuality, her impatience with trivia and fussy bourgeois habits, all of these are subjects that make her poetry with attitude so interesting. We recommend that you listen to her.

 Dr. C. Ritchie,

Director, AVzounds

LISTEN TO PINK PUNK POETRY HERE  

Here is a review from the magazine, Culture matters (click on picture to make it bigger): 

NEW PROJECT/PERFORMANCE: 40 DAYS ON A BENCH IN BERLIN

 

40 DAYS ON A BENCH IN BERLIN

WHEN? 1 April-10 May 2022.

WHERE? On a bench in Berlin.

WHAT? A long durational performance.

HOW? Sit for 40 minutes a day for 40 days in a row (same time, same place every day). Sit and "do nothing" apart from observing your surroundings and your thoughts. The documentation is happening on the writer's  facebook page and on instagram typing in the hashtag #40daysonabenchinberlin 

WHO? The Swedish author and performance poet Louise Halvardsson who turns 40 and is experiencing a midlife crisis.

WHY? To recover after a tough year, reflect on where and how to live, and learn how to "do nothing".

BACKSTORY: It all started when the writer lost her home (a flat in Gothenburg) in an unexpected and even illegal way. This coincided with the death of a friend/colleague and at the same time she tried to catch up on all her freelance work that had been put forward during the pandemic. The writer was close to burnout and she felt "the only thing I want to do is to sit on a bench".

BERLIN? So why Berlin? Well, Berlin is a place where many artists of different kinds have lived during a period in life. Nick Cave! David Bowie! Lou Reed! When the writer was younger it felt natural to move somewhere for a year, live out of a rucksack and see what happens. After eight and a half years in the same flat she had become a bit too comfy, so after the first disappointment she saw the "homelessness" as a chance to try something different. A bench in Berlin is also a nice alliteration. 

FOOTNOTE: The project is a loose continuation of Louise Halvardsson's 30-year-old-crisis-project: Swenglish, when she stayed with 30 different people for 30 week and asked them 30 questions to work out where and how to live.

Swenglish is now out!

Swenglish - a journey through everyday life is now out for real and you can read the prologue on Amazon.

And if you like it you can get your own copy. Also available in Kindle edition.

If you live in the Brighton area, Swenglish is for sale in City Books. Or contact me for a signed copy.


FOR MORE INFO ABOUT THE SWENGLISH-PROJECT PLEASE CLICK HERE

FOLLOW SWENGLISH ON FACEBOOK

The Swenglish Project: Launch Party in Brighton

Swenglish - A Journey of Self Discovery from Adriana Sabau on Vimeo.

I made it! I'm ready to launch Swenglish - the book and the film!

INVITATION TO THE LAUNCH PARTY IN BRIGHTON SATURDAY 13 JUNE 

FOLLOW SWENGLISH ON FACEBOOK

THE SWENGLISH BLOG

Find me on something called Facebook

I'm not updating this page very often at the moment,
but follow me on Facebook for the latest news:

https://www.facebook.com/louisehalvardssonofficial

For the latest Swenglish updates visit the Swenglish blog:

http://swenglish2012.blogspot.co.uk/

This is what I look like nowadays:

Photo: Hanna Eliasson

Swenglish will be out in 2015!

My only resolution for 2015 is to publish the Swenglish book in English in England and have a launch party in Brighton.

It will happen. The cover is already on its way. Design: Sky Apperley.

"As a portrait of two countries the book is interesting enough. The Swedish find the English habit of carpeting toilets to be disgusting. And, despite Sweden having colder temperatures, Sweden is warmer than England, since our houses tend to be draughty and badly insulated. However, the thing I like most was the way the book sketched its characters." - James Burt has written a personal review. Click here to read it.

PÅ SVENSKA

The Perils of Balcony Sleeping

Last week I made an appearance in Brighton. Not in person, but my short story-video was shown at the event Flash Lit Fiction where several stories were screened to the public. James Burt has written about the event here.

The story is inspired by a real life event. Christer Petterson, the guy who was accused of killing Olof Palme, the Swedish prime minister, lived on a balcony for a while. The drummer, and I lived on a balcony in Uddebo for two nights.

The title is inspired by Pretty Tied Up (subtitled "The Perils of Rock n Roll Decadence") by Guns N' Roses. And my brother thought the video was similar to Garden of Eden by the same band.

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The Art of Summer

I'm gathering energy for the autumn.

By evening swimming.

By celebrating July's Eve 

(In Swedish the month of July (juli) is almost the same word as for Christmas (jul).

Life is art.

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Writing process tag

Maria Jaztrzebska, a poet I admire very much, asked me to join a blog tour thing, answering a few questions about my writing, so here you go!

1) What am I working on?

At the moment I'm mostly concentrating on writing group pieces for SmutsKultur, the performance poetry group I'm part of. Our latest commission is to perform at the opening of a new library in Gothenburg - in connection to a lunch beat disco. So I'm trying to polish my lines about disco anxiety ... not being able to dance well, not having anyone to dance with etc.

2) How does my work differ from others of its genre?

Well, I started to grow tired of the Poetry Slam format and asked a few other poets if they wanted to start a group and they all said yes. It's not that common to write poems together and I find it both challenging and rewarding. When a poem is finished we've kind of forgotten who wrote what: if you get stuck it's great to have the support from the others. We allow ourselves to be as crazy as we want to be and have a lot of fun.

3) Why do I write what I do?

I love hearing poetry out loud! I love playing with the spoken word, how you can transform a line from the page to the stage and make sense of it through your voice and gestures. Sometimes I enjoy moving commas around and thinking about line breaks, but it gives me a real buzz to communicate in real time and then the pauses might be entirely different to what I wrote.

4) How does your writing process work?

When SmutsKultur write together we often decide on a theme, brainstorm a bit around it and then we go home and write individually in a shared document. After that we meet up and try to build bridges between the different parts we've written. Sometimes we have to add a lot, other times it's just a matter of moving things around. 

The next writer of the blog tour will hopefully be writer, poet and novelist Morgan C Nichols

Double Bubble: Publication of Two New but Old Short Stories

2010 was the year of short fiction. The year when I only wrote short stories. No, now I lied. I happened to write the odd poem and worked a bit on a novel as well, but my main occupation was to write short stories.

The funny thing is that sometimes it can take just as long to get a short story published as getting a novel published. Now I've got two at the same time. Short stories that is.

One of the stories, A Day in Her Honour, is about mourning a family member and is published by Stand Magazine. I can't find a reseller on the net, so if you want to read the story you could email me and I'll send you a copy. This is how it starts:

The other short story, To be seen or to be felt, is about growing pains and discovering certain feelings. You can read it for free here. Published by Fox Chase Review.

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Brand New Interview with me in Fox Chase Review

Fox Chase Review is a great literary online magazine from the States. I've had some short fiction published by them and they've also interviewed me. I'm sure you'll find out things about me you didn't know... About my writing and my attitude towards toilets. Click here to read.

My Writing Year 2013 and Plans for 2014

It' been an overwhelming year in many ways. Not least because I'm mainly writing in Swedish again. And I happen to live in Sweden. I haven't quite accepted it yet. I keep telling myself that nothing is forever and that I'm a citizen of the world and all that ...

I still have three main projects going on:

SWENGLISH 

The project is finished and I've written the book. It's just the whole publishing business left to deal with.

REPLACING ANGEL/UNDER THE LIP

Same, same but different. This novel has been finished forever and I haven't given up on the UK market, but at the moment I'm finishing the translation into Swedish and will start to approach Swedish publishers again.

POETRY

And then there's poetry. Performance poetry. If it wasn't for the poetry I would tear my hair and slit my wrists. Poetry keeps me on track. Poetry gets me out of the house. Poetry makes me friends. This year I took part in the National Slam Championship in Malmö and since then I've been performing regularly at festivals, slams, open mics and other random events. I also tried my luck as a "metaphor wrestler". (Pictured).

The reason I love performance poetry so much is that it's immediate and democratic. Anyone can do anything; you can write a poem today and throw it on the world tomorrow. The novel writing can be soul destroying in comparison as it involves a lot of waiting.

So. The future. In 2014 I will do everything I can to get SWENGLISH published and I will try equally hard to get REPLACING ANGEL out there. And I will step up on every stage and fill every page. Am working on some promising collaborations. Watch out!

I also got a an author page on Facebook now. Please like if you haven't already!

Happy new year all readers!

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I Won the Hat - Gothenburg Poetry Slam!

Perhaps you've already read this piece of news in Swedish with the help of Google translate, but as I don't trust translation programmes, I thought I'd better say in in my own words:

I won the first Poetry Slam for the season at Café Hängmattan in Gothenburg!

And the prize was a hat.

Or rather what was in the hat. The audience were asked to contribute with money, love and other items. Apart from some notes and coins I also got two condoms, a box of throat pastilles, matches, a piece of a keyring, a business card, a poetry book, a flowery pin and blister plasters. Very useful. Thank you!

In Sweden the slam scene is very much focused on the National Championships that takes place in May every year. But if you live in a big or biggish city it's not enough to win a single Poetry Slam to reach the Nationals. Winning last night means that I've qualified for the autumn final and if I do well in the autumn final I'll get through to the annual final and if I'm lucky then, I'll secure a place at the Nationals.

I thought that living in Sweden for a while would mean the end of performance poetry for me as I was so used to my English poetry persona Lou Ice and her material in English. But writing in Swedish and doing something different has been good for me, even though I miss the UK scene and all my poetry pals in Brighton. I can only take my off to you for keeping up the love and the words through cyberspace.

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Rattle Tales Anthology 1 & 2 - Now as Kindle Edition

Rainy day and I'm re-reading the Rattle Tales Anthology 1, marveling at how good it is. Apart from my story Playing Horse about forbidden love, there's a funny story inspired by the Royal Wedding by Erinna Mettler, a sweet monster story by Joe Evans and a fantastic piece by Lonny Pop called Fake Plastic Flowers that makes you feel sick - in a good way. And there are 21 more stories just waiting to be read!

The good news is that Rattle Tales Anthology 2 has been out for a while and both anthologies are available as a Kindle Edition!

Rattle Tales is just growing and growing and I hope they'll do an event in Sweden one day!

I've become a Metaphor Wrestler!

It's not the muscles that count in this new art form and sport ... Metaphor wrestlers battle with words.

This weekend I took part in an exclusive workshop in Gothenburg that resulted in a show where eight wrestlers improvised metaphors on stage to the beat of a live band in a dark room.

More scary than taking part in a Poetry Slam, that's for sure. But what helps is that you create a wrestling character and I am Backpackia! And Backpackia is the thumb that was on its way to Thailand but ended up at the local supermarket ...

However Metaphor Wrestling itself is going to take over the world, you can look at some cool pictures of the wrestlers on the Metaphor Wrestling website.

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Nowhere To Go

Before I started my Swenglish project and hit the road, I had a massive clear out, getting rid of clothes, books and CDs, but I just couldn't give away books that were signed by the author. One of those books were Ben Graham's Nowhere To Go.

When I unpacked my few belongings in my new home in Gothenburg, the title Nowhere To Go leapt out at me, making me a bit sad. For the first time in my life I live on my own, but am far from settled. Instead of dealing with stuff like a blocked drain and a dead basil plant, I'm escaping into the world of fiction. Nowhere To Go is fiction but I suspect it is close to the author's own experience of being a bit of a drop-out from society.

Reading Nowhere to Go made me think of Kerouac's On the Road with the romantic notion of travelling and taking drugs and just hanging around, trying to get by. But this book feels closer to home. The road trip takes place in Eastern Europe and all the characters are English working class with fantastic Yorkshire accents. Vic, the narrator, is more of an observer than a participant and I especially love his walk through Prague one hung-over morning.

It's a short book, more of a novella but I think that's a strength. Instead of focusing on life back in "boring Britain" the story is basically the trip to Prague and back. Vic's reflections are thoughtful and poetic, showing the gap between the beatniks and "the neatniks". The book is worth reading alone for the brilliant description of a night out playing with national stereotypes  "France glowers over, sipping a cognac at the bar, an elegant femme on his arm, while Britain sulks on the sidelines."

I can't get enough of road trip romanticising, but perhaps it isn't the kind of book I should be reading right now. I should appreciate that I'm in a clean, comfortable and warm flat instead of "being transported in a metal ice box through a bleak inhospitable landscape on a road trip to nowhere". However I will finish with another quote from the book that kind of describe my life in general: "this temporary resting place on the outskirts of adventure". To read more about what I'm up to check out my Swenglish blog.

Nowhere To Go was originally written in 1998, but published in 2010. To read more about the book and the author visit his blog: http://bleedingcheek.wordpress.com/

At the Library of Memories: Glow Worms and Bumble Bees

Normally when I read poetry, I dip in and out of a collection, but for some reason Maria Jaztrzebska’s book At the Library of Memories, inspired me to read the poems in chronological order from front to back. And then I started to dip in and out, re-reading my favourites.

Perhaps it was the subtitles (starting with Foyer followed by Children’s Area) that seemed like different chapters to me, and made me think of a novel. And even though each poem can be read on its own, the poems become stronger when you have the full picture. A bit like looking in a photo album and connecting up memories. The collection can also be seen as a meditation on memory itself. ”By night children’s memories flicker like glow worms”.

Maria was born in Poland, but has lived most of her life in the UK and I love it how she jumps back and forth in time between her first memories of England and also thinking about her heritage. Now and again Polish words sneak their way into the poems, enhancing them. Overall I find it effortless to read the poems, the author manages to keep the poetic flow without complicating things.

There are also some very sensual poems about love as well as sexual experiences. My all time favourite is The Room of Smells, an interior garden, where the narrator is high on post sex feelings at a bus stop: ”she hates you comparing her scent to food or plants. You can’t help the way your mind runs, bumping into one fragrance after another like a great bumble bee”.

So, If you’re longing to read poetry, don’t wait. Go and find a copy of At the Library of Memories now.

Maria also has a blog.

National Poetry Slam Championship in Malmö, Sweden

The Teams in the Final: Göteborg, Malmö, Gotland & Huddinge

Amazing performances! Brilliant lyrics! Extraordinary people! No, I’m not talking about Eurovision Song Contest. I’m talking about what happened in Malmö in Sweden the weekend before Eurovision. I’m talking about the National Poetry Slam Championship. (SM = Svenska Mästerskapen = Swedish Championship)

I was happy to be one of 48 poets competing for 3 days and that I didn’t go through to the final 8 didn’t upset me too much. The point is not the point – the point is the poetry as the US poet Allan Wolf once pointed out. I had fun on stage and people found me entertaining. Just to be at the Nationals was a great honour as you had to win or come second at a local slam to be able to compete nationally. Above I’m performing a poem about shyness and the fear of saying hello.

Jamila Woods & Robbie Q Telfer

What I enjoyed most was to perform and watch the team pieces – there were 12 teams consisting of at least 3 people that were up on stage together. (I was part of the Växjö team.) You get it all: drama, a bit of singing, comedy, tragedy – and above all poetry. On top of that there were guest poets from Chicago: Jamila Woods & Robbie Q. Telfer, and for the brave ones there was an improv slam, a speed slam and a “Eurovision” slam where you were allowed background dancers and producers. Other highlights included the release of Oskar Hanska's poetry video and "the metaphor wrestling show".

"Metaphor Wrestling" 

If only media would focus half as much on the National Poetry Slam Championship as they do on Eurovision, I believe the world would be a better place. In Eurovision you’re not allowed to sing any political messages – when you’re poetry slamming no subject is too big or too small. It’s hard to write a good political poem, but some people are “naturally” political, like the National Slam Winner, Nino Mick, who is transgender and often writes about LGBTQ topics.

I find the Swedish Poetry Scene very open-minded and am truly impressed by the quality of the poems. I feared that I would stop performing poetry if I decided to stay in Sweden for a while, that it wouldn’t be possible without the support from the Brighton crowd that I’ve been part of for so many years, but now I feel inspired to write poems in both Swedish and English. And on a national level, I believe the Swedish Poetry Slam scene is better established than the English scene. As far as I know the National competitions aren’t as big in the UK. Next year the European Slam Championship is coming to Malmö!

MER OM SM PÅ SVENSKA

Dress Rehearsal before the Swedish National Championships in Poetry Slam

Today I'm travelling to Malmö for the Swedish National Poetry Slam Championships. Last night my team (Jens Börjesson, Ann Dahlström & Erica Engdahl) did a dress rehearsal at Acoustic Stage in Växjö and it was all good fun trying out our team piece!

Photo: Marie Nilsson

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The Swenglish Project is going to be a Documentary

For a whole week I've been followed by a film maker from Brighton & Hove Community TV that is making a documentary about my Swenglish project.  

Read more here.

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Poetic Hairdresser

Most writers and poets can't make a full time living from their writing. I know poets who work at schools and I know poets who work for the police. And last time I was in Gothenburg I met a poetic hairdresser. Apart from writing poems he also cuts hair.

Thanks to the Swenglish-project, a tax return and support from family and friends I've been able to be a full time writer for over a year, but now it's time for me to get a job that pays the bills.

Is someone tempted to employ me as their hairdresser? If not - just give me another job, any job. This is my CV in alphabetical order (everything I've ever been paid for):

after school club assistant, author, babysitter, barmaid, blogger, café staff, camping host, columnist, compere, dinner lady, dishwasher, editor, events coordinator, flyerer, lecturer, library assistant, library officer, photographer, poet, poetry coach, postal worker, receptionist, reviewer, shop assistant, Swedish teacher, translator writer, workshop leader

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Towards the National Poetry Slam Championship in Sweden!

Today I took part in a poetry slam in Växjö, Sweden. I came second which means I'll be one of four people representing my county in the National Poetry Slam Championship in Malmö in May!


I'm super happy as I haven't been on stage in Sweden for years. Almost all my material is in English, but I wrote three poems in Swedish especially for this competition. You can watch some of my poems on YouTube.


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Punk industrial hard rocker with attitude is still alive!

My debut novel "Punk industrial hard rocker with attitude" (Punkindustriell hårdrockare med attityd) is still very much alive.

Today I visited a college in Sweden and talked about the background of the book, why and how I wrote it.

It all started with a short story I'd written when I did a writing course. It was about a girl called Amanda who wanted to have a piercing done by her older punk friend Sid, but he refused to do it, said it was too close to the eye. In the opening chapter of "Punk industrial hard rocker with attitude", Amanda the main character wants her nose pierced by her older female friend Kim (Sid had to change both name and sex!), but Kim says no and helps her to colour her hair instead.

I also revealed that the novel has no plot. But I let Amanda overcome some traumas that pushed the story forward. The trauma of experiencing the first piss-up, the first kiss, the first sex, the first boyfriend. I thought those things were very traumatic when I went to school and I still feel very uncomfortable walking into a school building. Even the teachers could relate to what I was talking about, confirming the unwritten laws about who's popular and who's not.

I didn't have much time to talk about my current book project, Swenglish, but you can read all about it here.

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