Kaizen Writing

Found a great blog post about six small steps you can take every day towards your writing. It has helped me a great deal. Even during busy days at work I can find five minutes to brainstorm a project or one minute to describe a stranger ...

It's also worth keeping those six steps in mind if you're away for Christmas: stuck on trains or bored at family dinners ...
And I'd like to add one point to the list: go for a walk, even if it's just ten minutes. Reflection time is so important. Whilst the whole of Sweden watched the Christmas Disney special at 3pm on Christmas Eve (a tradition to be missed, same programme every year) I went out for a walk and made a snow angel.

Read more about Kaizen writing in Jurgen Wolff's blog here.

Short Fuse Story Salon

I was very happy to be part of Short Fuse Story Salon at Komedia yesterday. Writers were invited to submit stories that "pushes the boundaries of what a short story can be, and experiments in some way with voice or form."

The story I read is called EX LOVE, and is a very short poetic piece that uses a feeling as a narrator. Chris Callard who also read on the night had written a story called A HOUSE IS NOT A HOME with the subtitle: Memo: Revised Tritona Corporation company guidelines. The whole story was written as a protocol which I thought was a clever idea.

Before Chris and I went on, the big stars Tania Hershman and Dave Swann warmed up the stage for us by reading a few of their stories. The reason there was time for "a few" stories is that they both write flash fiction. Their pieces are normally just one or two pages long, which is quite fascinating as they still manage to grab you.

Their readings were followed by a discussion and Q&A from the audience. I made a few notes and one of the things I remember was the point that short story collections are harder work than novels because you have to muster up the energy to constantly meet new characters and environments. At the same they can be, to quote Tania: "a box of chocolates" waited to sampled. Also with short stories you might be able to read something that is really intense, because you know it's going to finish quite soon.

Tania and Dave are quite different in their approach to what they write about. Tania makes everything up (often inspired by articles in the New Scientist) whilst Dave starts with a real life experience and transforms it into fiction. (Even though he might start off writing about a tree and end up with a car.) He also "steals" stories from his friends. I feel that I'm more of a "Dave"-writer, but after listening to Tania I feel inspired to write out of my comfort zone.

Someone, it might have been Dave, posed the question: "What's the most important in a short story?" One of his students once replied: "Does anyone get eaten?" That could translate into is anyone in danger? It doesn't have to be literal danger, but something has to be at stake. A situation, a relationship etc.

Another interesting thing that came up is how people interpret stories. Once someone told Tania "I really like your one page story about lust." She had no idea which story the person was talking about ... And I think that's quite similar to poetry. Short stories and poems are more open for interpretation compared to novels. One person thought my story was about a one-night stand whilst someone else thought it was about a long relationship that had finished ... I thought the title EX LOVE made it obvious, but obviously not!

Vanessa Gebbie was also supposed to read and take part in the discussion, but unfortunately she fell over and hurt herself - in Sweden of all places ... At least we got a little flavour of her work as the organiser Tara Gould read one of her stories.

Is a writer a writer only when she/he writes?

I just read Vanessa Gebbie's blog post where she writes that she's going to take a break from writing for the first time in eight years due to her father not being very well. She says "It is odd not being a writer any more, for the moment. I am wandering around a bit aimlessly, feeling blank. A writer has to be someone who writes…not someone who thinks about it."

A doctor is a doctor even when on holiday. If you know how to save lives you don't walk past a bleeding person in the street. That's how I imagine it anyway. If what you do is your passion it's always going to be with you. Yet it can be hard to accept when you're not sitting in front of your computer typing words that make up sentences that make up paragraphs that make up stories or chapters.

I have hardly done any writing in the past two weeks due to having visitors from Sweden. It makes me feel restless, as if life has no real meaning apart from spending time with people you love and care about. And maybe that's the plain truth. Somebody gets ill and you care for them. Somebody visits and you spend time with them. Life is about relationships between people. Yet I think everybody benefits from having a real passion in life, something that makes you feel alive, something you can return to even if all your relationships are broken.

That's why I started to write in the first place; I felt that I didn't fit in anywhere and found it very difficult to hang out with people without acting, without analysing every conversation. Also I often feel bored with life and writing about it instead is an escape. For example once I went to a quiz night and I really hate quizzes because my general knowledge about things is not that good ... But instead of sitting there hating the quiz I decided to write a short story that somehow involved a quiz night.

Because I had nice visitors and enjoyed myself over the last couple of weeks I have nothing to write about. I wasn't bored and there was no major conflict. And now I don't feel like a writer because I don't even feel like writing at the moment. I have a few short stories on the go, but my heart is not in it 100% as with my novel. Short stories don't give me the same satisfaction as novels. I prefer to follow something for a longer period of time. It's a bit like the way I like to travel. I don't like going to a new place every day, sleeping in a different hostel every night. When I go travelling I prefer to go somewhere and spend at least a month in one place so I get a bigger picture.

So ... is a novelist a novelist only when she/he is physically working on her/his novel? No! I'm a novelist waiting for a reply from the agent that I really, really want. A waiting novelist is still a novelist. Once a writer always a writer. But you do feel better when you do more of the writing and less of the thinking. However ... breaks are necessary and good, and people are more important than words. Sometimes.

What do teenagers do in their spare time?

Yesterday I ran a creative writing workshop for Young Adults at Hove Library called "It's raining words". Only one teenager turned up, so in the end we opened it up to all ages and got two more participants: one 56-year old and and one 29-year old. The girls from the study support team joined in as well so in the end I had five people in the my workshop.

Despite the low number we all had great fun. Matt - the teenager wrote about a woman who lost her watering can in the library due to library staff knocking on her door telling her that her books were late ... He's 13 and it was the longest story he'd ever written and he seemed very pleased with it. He also wrote a brilliant two-line poem inspired by the old saying "It's raining cat's and dogs." The adults were equally productive and I was pleased that my exercises sparked their imagination.

Now my question is: Why did the teenagers not turn up to a free creative writing workshop?

*Not the right marketing?
A couple of months ago a leaflet went out to school children about different activities during the Aqua Festival (which my workshop was part of.) Bookings had to be made by phoning or emailing a third party (not me, not the library, but the person organising the festival) Posters and flyers went up in the library, but again pre-bookings had to be made by contacting a third party. It was also advertised on the council website and the library website.

A flyer can be seen by clicking here.

The theory me and my colleagues have is that teenagers don't want to book things in advance, they prefer to drop in on the day, so at the last minute we put a "drop in"-banner on the posters in the library.

*Not the right age group?
Teenagers is a tricky age group. Before I was sixteen I was too shy to do anything. And if you don't have any friends who want to come along it can be very difficult to go to something on your own. At that age writing could also be something that feels very private and they might be afraid they have to read out what they've written. (I wanted to do a creative writing project as my final exam work when I was 19, but decided not to do it when my teacher said I might have to show it to other people ...)

*Not the right time and place?
I can understand that if you have spent all Monday at school you might not want to come to the library, sit down and do something that almost feels like school. Not that many teenagers go to Hove Library anyway, but when the library ran a drawing manga workshop a while ago about ten teenagers turned up, so that was obviously more cool ... (on that occasion you could sign up directly in the library)

To make me feel better, any other ideas about why teenagers didn't turn up are most welcome! :) :) :)

As I've put in quite a bit of time in preparing this workshop the library managers suggested that I do it again, but that we ask a specific class to come in during school time. A break from ordinary lessons is often welcome. The talks I've done in classes during school time in Sweden have been very popular and successful.

I'm also open for doing the workshop at other venues, so please contact me if you know anyone who's interested.